Reanalyzing performance: How Kath Weston refutes performativity through an intersectional lens

In her book Gender in Real Time: Power and Transience in a Visual Age (2002) in a chapter titled “Do Clothes Make the Woman?: Performing in and out of Industrial Time,” anthropologist Kath Weston critically deconstructs the notions that gender exists only through individual acts of performance. Instead, by observing a lesbian prom held in […]